{"id":11803,"date":"2025-01-27T08:00:00","date_gmt":"2025-01-27T08:00:00","guid":{"rendered":"https:\/\/mcostastudio.pt\/clients\/waau\/site\/\/?p=11803"},"modified":"2025-01-27T13:16:18","modified_gmt":"2025-01-27T13:16:18","slug":"1-54-marrakech-talks-programme","status":"publish","type":"post","link":"https:\/\/mcostastudio.pt\/clients\/waau\/site\/2025\/01\/27\/1-54-marrakech-talks-programme\/","title":{"rendered":"1-54 Marrakech talks programme"},"content":{"rendered":"\n

SATURDAY, 1 FEBRUARY<\/strong><\/p>\n\n\n\n

CREATING CULTURAL MOVEMENTS: BUILDING BRIDGES BETWEEN JAPAN AND AFRICA<\/p>\n\n\n\n

This talk will explore the growing relationship between Japan and Africa in contemporary art, focusing on creating meaningful cultural movements. It will highlight space Un\u2019s residency and exchange programs, which foster intricate dialogues between the two regions, and Galerie Atiss Aissa Dione\u2019s contributions to African art. Inspired by past 1-54 discussions, this session will emphasize the necessity of engaging Asian audiences with African contemporary art to cultivate cross-continental artistic and cultural collaboration.<\/p>\n\n\n\n

CARAVANE OUADANE, AN EXPERIENCE OF CULTURAL MEDIATION IN THE MAURITANIAN SAHARA<\/p>\n\n\n\n

After an international open call, we have received (for the past 4 years) artists, researchers, sociologists, architects, astronomes, choreographers, dancers, musicians, curators, poets, chosen by their interest in the life and history of desert oasis.<\/p>\n\n\n\n

NEW RESEARCH ON PHOTOGRAPHY IN AFRICA<\/p>\n\n\n\n

Moderated by Othmane El Farsi, the panel will feature Sandrine Colard, who will discuss her exhibition and catalogue Recaptioning Congo: African Stories and Colonial Pictures; Giulia Paoletti will present her book Portrait and Place: Photography in Senegal 1840-1960; and Malick Welli will explore the intersection of photography, spirituality, and cultural memory in Senegal, focusing on contemporary identity.<\/p>\n\n\n\n

COMMENT LES SAVOIRS ANIMISTES PEUVENT-ILS ENRICHIR LES PRATIQUES ARTISTIQUES CONTEMPORAINES?<\/p>\n\n\n\n

En prenant pour th\u00e8me les \u00ab Animismes Universels \u00bb, In-discipline Togo explore le potentiel esth\u00e9tique et narratif du Vodun et du F\u00e2. Religion et g\u00e9omancie n\u00e9es dans le Golfe du B\u00e9nin il y a des si\u00e8cles, elles constituent encore aujourd\u2019hui un syst\u00e8me social et culturel vivant et dynamique. Comment ces savoirs et ces rites enrichissent-ils \u00e0 la fois la vision du monde et les cr\u00e9ations des artistes ? Que peuvent-ils apporter \u00e0 l\u2019humanit\u00e9 ? Par-del\u00e0 leurs sp\u00e9cificit\u00e9s, l\u2019art peut-il permettre de les \u00ab universaliser \u00bb ?<\/p>\n\n\n\n

<\/div>\n\n\n\n

SUNDAY, 2 FEBRUARY<\/strong><\/p>\n\n\n\n

MO\u1e0cA \u2013 MOROCCAN FASHION STATEMENTS: BEYOND THE ONE SIDED UNDERSTANDING OF FASHION, ART AND CRAFTS<\/p>\n\n\n\n

There\u2019s an undeniable influence of Moroccan diaspora and artists based in Morocco who intersect heritage, design and global cultures in a contemporary way. More and more of these African diasporic stories are being told through art, fashion and culture in museum spaces in Europe.What does this tendency bring and how can it be done well? This talk moves beyond the one-sided understanding of fashion and art. Departing from MO\u1e0cA \u2013 a large scale exhibition on Moroccan Fashion Statements created and co-curated by Centraal Museum and DAR Cultural Agency.<\/p>\n\n\n\n

TEARS OF FOG, A ROUNDTABLE DISCUSSION<\/p>\n\n\n\n

Tears of Fog is an exhibition project hosted at LE 18 (Marrakech) delving in the memories of water and the evocative and political potentials of fog as a matter and metaphor for imagining alternative worlds and ways of restoring our fractured landscapes. Drawing and expanding on the exhibition, this roundtable discussion brings in conversation the artists, scholars and cultural actors behind this project to expand on their encounter, the resonance between their work and exhibition making as a space to build solidarities, counter narratives and new imaginaries.<\/p>\n\n\n\n

ANATOMY OF REVOLUTION<\/p>\n\n\n\n

Lara Baladi (Egypt\/Lebanon) is an internationally recognized multimedia artist, photographer, archivist and educator. She was an MIT Open Documentary Fellow (2014-2015) and a Lecturer in MIT\u2019s Program in Art, Culture and Technology (2015-2023). In the wake of her solo exhibition E + ducere, To Lead or To Draw Out at Malhoun, she will talk about Anatomy of Revolution, an ABC and Archive of Revolting, a web-based artwork and multimedia installation, which is the culmination project of over a decade of research on the iconography of protest.<\/p>\n\n\n\n

Source: 1-54<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Access to the talks programme is exclusively available to 1-54 ticket holders. 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